You write. I edit. You shine.

Tag: editor (Page 4 of 6)

Editing Question: How well do you know your main character?

If I asked you to describe your best friend to me, what would you say? Would you describe their physical appearance? Maybe their personality? Would you tell me what they did for a living? Would you share what you know about their family (and their family life)? What about their hopes and dreams–and the flip side of that, their losses and disappointments?

Would you be able to tell me what their home looks like and why they chose not only that particular place to live, but why they chose to decorate it–or chose not to decorate it–the way they did? Could you tell me what kind of car they drive, or if they’re afraid to drive, or if they’re environmentally conscious and so only ride a bike or the bus in an effort to shrink their carbon footprint?

Would you share with me how they dress–when they go to work, go out with you, go out with their significant other–or on a first date? How do they spend their downtime? Do they have downtime? How’s their health?

I hope that you know your best friend well enough that you can answer all of these questions and then some.

As your friendly neighborhood editor, I hope that you can also answer every single one of these questions about your main character–and most, if not all, your supporting characters–in your work in progress. If you don’t know your MC and their cast this well, you need to get your rear back to the drawing table.

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Editing Your Manuscript: Free Sample Edit

Now that you’ve had a chance to watch me begin the editing process on my first novel, it’s time to turn the tables. I hope that you learned a little from what I shared with you of that self-editing process. I intended to go longer with it, but the same mistakes kept cropping up, and I didn’t have much new to share.

So I thought, why not ask my readers to submit samples of their writing for a free edit–with the stipulations that I’ll do them as I have time and that I can share it all right here on my blog with the rest of the world so that we can all continue to learn together. Writing and editing are skills that evolve, so it never gets old and I never stop learning.

Here’s what I’m offering:

Send me an email with no more than your first 2,000 words INCLUDED IN THE BODY OF YOUR EMAIL. NO ATTACHMENTS. (You’ll benefit most from this if you send the FIRST 2,000 words–that’s what readers see when they crack open your book to decide if they want to buy it, and it’s what an agent sees when they are deciding whether or not to ask for additional pages.) Continue reading

Need to Hire an Editor? Write a Thorough RFP (Request for Proposals)

So you’ve written a book! Woo hoo! That’s truly exciting and something to take pride in. I’m a writer as well as an editor, so I totally get that rush of emotions you feel when you’ve finished this huge thing that has consumed your thoughts and your time and your patience and your caffeine and chocolate (and alcohol?) supply for months and months. It’s an accomplishment. Breathe. Take a walk. Or a jog. Or a nap.

And then think about how you want to approach the next step. You need to hire an editor. Why? I’m sorry to say it, but your book’s not done. You need another pair of eyes. You need someone who can find the plot holes, the inconsistencies, the incorrect grammar.

So where do you find an editor? Well, you’re here on my site, and I’m one, so … you’ve found one! But if you’ve looked at my site and you don’t think we’d be a good match, there are platforms out there that make it easy for you to connect with editors. Google is your friend here.

Regardless, though, of how you go about finding your editor, at some point, in some way, you need to be able to express your needs. Continue reading

Dialogue: Let’s Make it Readable

When I’m editing fiction, I always pay close attention to dialogue because it’s tricky. I usually see it go one of two ways:

  1. The writer tries to make it too formal.
  2. The writer tries to make it too informal.

Pretty basic, huh?

I’m editing a book right now that falls into the first category. The writer uses no contractions in the the dialogue whatsoever. For example, “I cannot believe you have been to the store already. I did not think you would get it done that fast.” (I’m making these sentences up, but using the writer’s style to make my point.)

Read that dialogue out loud. Go ahead. I’ll wait.

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If You Write, You Should Read

You might be surprised to know how many times I ask myself, when I’m editing early drafts of books or books written by inexperienced (read “new”) writers, “Does this person read?” And I think you’d be surprised because I’m certain that in most cases, the answer is “Yes, I read. I read a lot!”

Writers need to read, and ideally, they should read a lot and from different genres. The more we read, the more we expose ourselves to different styles, different figures of speech, different ways of building a narrative, and different takes on perspective. Writers should be “forever” learners, and reading consistently is one way to continue learning.

If you’re a writer and you do read a lot, it’s possible I’m still asking myself that question I posed above as I’m working on your book. Why is that? Why isn’t your experience as a reader translating into your efforts to write?

One reason could be that you’re not reading as a writer. You’re reading for pleasure, or you’re reading to learn, but you’re not reading as a writer. You need to train yourself to do that. How, you ask?

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